I heard this song, recently, in a film called Up in the Air. You may have heard of it. It stars George Clooney and has received an awful lot of pre-Oscar hype.
I must admit to being a little disenchanted with the film. It felt confused as to the sort of message it wanted to convey. At times it seemed to fetishise the lifestyle of the travelling batchelor; at others, critique it. Parts of the film felt dreary and overstretched. Sometimes it sagged to reveal a big concaving nothingness.
But then there were moments of hope; of light; of sweetness. Some might find those bits the worst bits of the film - I know the film critic, Mark Kermode, did.
But I couldn't help but get drawn into those parts the most. The wedding scene, when George Clooney's character dances with his female friend... I won't divulge plot spoilers, but there was so much aching, hesitancy, so much fear of 'letting go' and showing a side of himself he had hitherto hidden. A straining for intimacy, a foraging for connection - despite one's best efforts. It underpinned the entire passage, and left me with a lump in my throat.
All this is done with no dialogue. Just the sound of the music and a few askance glances, a few fumblings of hands.
I think I find the song beautiful because I find ascension beautiful; triumph beautiful. We've all been there. Feeling lonely and vulnerable and scared to expose ourselves. Can there be anything more beautiful than showing a secret part of ourselves and then finding it accepted?
As the song goes..."We believe in everything that you can do / If you could only lay down your mind".
It may be cheesy, but I adore it. Take it away, Sad Brad Smith:
Monday, 25 January 2010
Sunday, 17 January 2010
White
The magic is already melting as if it were never there.
And the days have lately been filled with broken down trains; slippy, sliding cars; 'ice', mouths snapping out the word in disgust and trepidation; cold that gathers in cold, that seeps into the bones and never lets go. London has been a united wail of curses, of frustration, of people sighing and shaking their heads: "Will it never melt?"
But, at the beginning, when it all started and seemed new.
Everyone stomped through the powder with their mouths agape. They couldn't believe it. It had snowed! It had settled! And when it started to snow some more, they stopped what they were doing and lifted their eyes to the sky in bewilderment. People in offices turned from their keyboards and stared out of the windows for a minute or two, silently taking it in. People on buses put down their newspapers and gazed in wonder as this white, wintry carpet was unfurled on the world.
Back then, all you'd hear was "Beautiful"; "Magical"; "Pretty"; "Wow".
It's interesting to me that people can be united in their view - to some extent - of what's beautiful and what isn't. And they seemed to be in universal agreement that this was a thing of beauty. All the blogs I have been reading lately have also been about snow - Elspeth Thompson, the gardener and writer, wrote a particularly lovely piece. She too used the word 'beautiful'.
But why is it beautiful?
Is it because it casts an eerie glow that speaks to us of never-ending light?
Is it because it separates difference and renders everything the same? Things lose distinction and all is on level footing – oh, how we'd like society to operate along the same lines, although it never can and never will.
Is it because of the overwhelming white, the white that makes us shield our eyes and blink back awe? White isn't, after all, an absence of colour, but all the colours of light combined. Once again, snow amalgamates everything and assimilates it into something – a united thing that hides the details, the drudgery, the dirt.
No wonder white speaks to us (symbolically) of innocence, truth, purity and goodness. No wonder we have ‘black magic’ but would not have white; ‘ America calls the Presidential residence the 'white house', but would not call it black. White is the colour of clouds, of daylight, the foam of the sea. Black is the colour of night, of absence, of what floods our senses once we sense to be.
The snow is also beautiful because it is unusual. A rare occurrence. Perhaps Inuits call snow beautiful, but I don't know. Probably not. The everyday usually isn't. We come to expect it, demand it, and it loses its power - sometimes unfairly.
What the Inuits DO have is a far greater capacity to appreciate the function of snow. They use words like aput - 'snow on the ground'; gana - 'falling snow'; piqsirpoq - 'drifting snow'; and qimuqsuq - 'a snow drift'.
We just say 'snow'. We stumble around adjectives but that is all it is to us – snow.
Perhaps analysis corrupts our sense of beauty.
Perhaps snow is beautiful because we do not truly understand how it transforms the fast, invisible, dispersing, disappearing rain into this thing of substance that flutters down from the sky and cleaves to the ground. How it melts in our hands but stays steady beneath our feet.
How, for a little while, it makes the impermanent seem permanent.
And the days have lately been filled with broken down trains; slippy, sliding cars; 'ice', mouths snapping out the word in disgust and trepidation; cold that gathers in cold, that seeps into the bones and never lets go. London has been a united wail of curses, of frustration, of people sighing and shaking their heads: "Will it never melt?"
But, at the beginning, when it all started and seemed new.
Everyone stomped through the powder with their mouths agape. They couldn't believe it. It had snowed! It had settled! And when it started to snow some more, they stopped what they were doing and lifted their eyes to the sky in bewilderment. People in offices turned from their keyboards and stared out of the windows for a minute or two, silently taking it in. People on buses put down their newspapers and gazed in wonder as this white, wintry carpet was unfurled on the world.
Back then, all you'd hear was "Beautiful"; "Magical"; "Pretty"; "Wow".
It's interesting to me that people can be united in their view - to some extent - of what's beautiful and what isn't. And they seemed to be in universal agreement that this was a thing of beauty. All the blogs I have been reading lately have also been about snow - Elspeth Thompson, the gardener and writer, wrote a particularly lovely piece. She too used the word 'beautiful'.
But why is it beautiful?
Is it because it casts an eerie glow that speaks to us of never-ending light?
Is it because it separates difference and renders everything the same? Things lose distinction and all is on level footing – oh, how we'd like society to operate along the same lines, although it never can and never will.
Is it because of the overwhelming white, the white that makes us shield our eyes and blink back awe? White isn't, after all, an absence of colour, but all the colours of light combined. Once again, snow amalgamates everything and assimilates it into something – a united thing that hides the details, the drudgery, the dirt.
No wonder white speaks to us (symbolically) of innocence, truth, purity and goodness. No wonder we have ‘black magic’ but would not have white; ‘ America calls the Presidential residence the 'white house', but would not call it black. White is the colour of clouds, of daylight, the foam of the sea. Black is the colour of night, of absence, of what floods our senses once we sense to be.
The snow is also beautiful because it is unusual. A rare occurrence. Perhaps Inuits call snow beautiful, but I don't know. Probably not. The everyday usually isn't. We come to expect it, demand it, and it loses its power - sometimes unfairly.
What the Inuits DO have is a far greater capacity to appreciate the function of snow. They use words like aput - 'snow on the ground'; gana - 'falling snow'; piqsirpoq - 'drifting snow'; and qimuqsuq - 'a snow drift'.
We just say 'snow'. We stumble around adjectives but that is all it is to us – snow.
Perhaps analysis corrupts our sense of beauty.
Perhaps snow is beautiful because we do not truly understand how it transforms the fast, invisible, dispersing, disappearing rain into this thing of substance that flutters down from the sky and cleaves to the ground. How it melts in our hands but stays steady beneath our feet.
How, for a little while, it makes the impermanent seem permanent.
Labels:
colour symbolism,
Elspeth Thompson,
inuit,
inuits,
snow,
white
Sunday, 10 January 2010
The freedom to dream
Now my flat is stripped bare of the pretty little lights that basked us all in a star-like glow. The Christmas tree sits outside, in the snow, and routines return to normal.
This is the year 2010. I have no idea what it expects of me, or I of it. As usual, I have hopes for the year, but not resolutions. To call them that word is to ignore the unpredictability of life, which is something that entrances me, in all its defiance, its waywardness, its sense of adventure. And sometimes, as the flipside – its disappointments, meanderings and sudden abruptions.
But, I hope. I hope that I do all or some of these things:
- Go on holiday with my university friends to celebrate ten years of knowing each other. TEN YEARS. That deserves celebrating, especially as these people saw me finally emerge from my chrysalis.
- Also celebrate ten years, in late December, with my warm and wonderful boyfriend, who is all the serotonin I need.
- Start growing some vegetables. Start growing anything.
- Write for more websites.
- Write more, full stop.
- Learn how to fix bicycles.
- Learn how to swim.
- Do the naked bike ride – get rid of my inhibitions and recognise that it’s all just flesh and form. And raise money for a great cause too.
- Try to fill a god-shaped hole. Meditate? Read more poetry? Volunteer work?
- Build a nest somewhere out of this small town.
- Invest money wisely.
- Learn how to knit (the basics).
- Appreciate my family all the more.
- Engage with the countryside. Flee the city sometimes.
- Go to the ballet. (I have never been.)
- Stop being so socially phobic, so worried about what people are thinking, so self-analysing. Forge connections and let them do the rest.
- Just be a nicer person.
- Keep a list of all the films I watch, the plays I see and the books I read. Score them so I can know which were my favourites by the end of the year...(geeky, I know, but how fun?).
Occasionally I think this is a bad, dirty habit. If I spent less time writing down lists, I might actually do things.
But I also think there is something beautiful about these lists: something that reflects the beauty of a New Year start.
Although the change of date is humanmade and arbitrary, it is still a ‘wiping slate’ moment. The clock strikes midnight and people give themselves permission to hope, to yearn, to imagine the impossible – the freedom to dream.
And I am dreaming. I am dreaming of a year that is perhaps more inward, more of mind than matter. But a year where I prove myself to myself, and vanquish hard feelings. Why not? I can do it. That is the spirit of January. “I can do it.” “I can give up smoking.” “I can lose weight.” “I can give up my job and backpack the world.” Whether we do it or not, thank god we are trying. That god we are forgiving ourselves and beginning again.
Labels:
beginnings,
bicycles,
growing vegetables,
january,
knit,
lists,
naked bike ride,
New Year,
poetry,
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So this is Christmas
And what have I done? Well. Not much. Two thousand and nine ranks as a relatively uneventful year and, in my book, that is a blessing that cannot be appreciated enough. There were no huge dramas, no surges of stress. I kept my health intact and so did the people I love. I forged even tighter links with friends and family. Work staggered on: but never soul-destroyingly. I had a lot of fun and spent a lot of the days following Christmas putting together a photo album of the year’s ‘best ofs’. It was hard to edit it all down to even three hundred. Now I have a photo album that heaves with the weight of three hundred smiles, meaningful glances, sunsets, tides, cats and wine-clinked gazes. It may be a lot of paper, but it somehow draws me much closer to all those special memories than a digital image could.
I adore Christmas. Sometimes it is a little like being stubbornly in love with someone after he has hit you, abused you, cheated you and left you for dust. You can’t even rationalise it anymore (with the stressful shopping trips and Boxing Day rows) but all you know is that, somehow, for some reason, the love is still there. It’s one of those loves that burns deep when you are little, fades out for a few years, and then flickers back into being as you get a bit older.
I’m trying to resist the return to morbidness, but evidently failing. You see, one of the reasons I think people love Christmas is because it returns you to youth. Not only that but it makes you re-remember your parents when they were young too. When you heard them franticaly wrapping presents in the downstairs living room while you were meant to be asleep. When you were left there, thinking: what are they doing when there’s a Father Christmas? When your mum, her eyes extra wide, a smile fixed on her face, said that Father Christmas brought all the presents to the house, but of course he didn’t have time to wrap them all up, so of course mum had to chip in and wrap a few too!
Christmas is crystallised memory, a beautiful fossil. It strips away age and dissolves people into their purest form. Whether your ‘treat’ moves on from a Scaletrix set to a glass of vintage port or some Jo Malone candles, the expression on your face stays the same. The uncurling smile, a burst of being in the eyes. You wanted something and you were given it. What can be more primal than that?
Yes, I suppose that there are (justifiable) concerns about consumerism, but the Christmas can be as uncommercialised as you want it to be. You can see that expression in people whether it’s something big or whether it’s something small, like the pull of a cracker. It’s about forgetting the chores, the daily grinds, the panics, and dabbling in fun and insensible glee. It’s national permission to indulge. It’s our form of hibernation. A burrowing away with, hopefully, the people that make us smile – whoever they may be – and, for one day, becoming children together. Seeing us beyond the shackles of age and duty.
Whether you are atheist, theist, or agnostic like me, Christmas has its purpose. Personally, I think the facts are incontestable: Christmas is Pagan in origin. To declare that does not deny the existence of Jesus Christ – if that’s what you believe – but instead understands that the event was a ‘moveable feast’ that the Christians pinned on to a pre-existing Pagan festival.
Oh, and we need it. Whatever you celebrate. These nights are dark and the days are short. Ice expands on asphalt. We buckle down and we soldier on, trying to remember the spring.
I adore Christmas. Sometimes it is a little like being stubbornly in love with someone after he has hit you, abused you, cheated you and left you for dust. You can’t even rationalise it anymore (with the stressful shopping trips and Boxing Day rows) but all you know is that, somehow, for some reason, the love is still there. It’s one of those loves that burns deep when you are little, fades out for a few years, and then flickers back into being as you get a bit older.
I’m trying to resist the return to morbidness, but evidently failing. You see, one of the reasons I think people love Christmas is because it returns you to youth. Not only that but it makes you re-remember your parents when they were young too. When you heard them franticaly wrapping presents in the downstairs living room while you were meant to be asleep. When you were left there, thinking: what are they doing when there’s a Father Christmas? When your mum, her eyes extra wide, a smile fixed on her face, said that Father Christmas brought all the presents to the house, but of course he didn’t have time to wrap them all up, so of course mum had to chip in and wrap a few too!
Christmas is crystallised memory, a beautiful fossil. It strips away age and dissolves people into their purest form. Whether your ‘treat’ moves on from a Scaletrix set to a glass of vintage port or some Jo Malone candles, the expression on your face stays the same. The uncurling smile, a burst of being in the eyes. You wanted something and you were given it. What can be more primal than that?
Yes, I suppose that there are (justifiable) concerns about consumerism, but the Christmas can be as uncommercialised as you want it to be. You can see that expression in people whether it’s something big or whether it’s something small, like the pull of a cracker. It’s about forgetting the chores, the daily grinds, the panics, and dabbling in fun and insensible glee. It’s national permission to indulge. It’s our form of hibernation. A burrowing away with, hopefully, the people that make us smile – whoever they may be – and, for one day, becoming children together. Seeing us beyond the shackles of age and duty.
Whether you are atheist, theist, or agnostic like me, Christmas has its purpose. Personally, I think the facts are incontestable: Christmas is Pagan in origin. To declare that does not deny the existence of Jesus Christ – if that’s what you believe – but instead understands that the event was a ‘moveable feast’ that the Christians pinned on to a pre-existing Pagan festival.
Oh, and we need it. Whatever you celebrate. These nights are dark and the days are short. Ice expands on asphalt. We buckle down and we soldier on, trying to remember the spring.
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